What Happened to the Baby in American Tail

mars 10, 2022 Enregistrer un commentaire

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WMG / An American Tail

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Information technology's very likely because Papa always has tells these stories, and Fievel'southward always the audacious and curious type. And in that location's also the hat that Papa gives to Fievel at the beginning of the get-go moving-picture show.

Henri the pigeon was working with Warren and in charge of recruiting immigrants to work in his sweatshops.

Why else would Fievel exist dropped off right at Warren's role instead of being dropped off at Immigration?

This makes America seem like even more of a Crapsack World when Fievel'south betrayed by the one person who gave him hope in the first place.
If information technology wasn't Henri himself secretly working for Warren then maybe information technology was just the female pigeon he sent to take Fievel to Castle Garden.

Henri is a pimp.

Pretty self-explanatory. After all he's the just male living with a big group of female person pigeons. Though for a pimp he'due south pretty skilful around kids.

Fievel Goes West took identify after Treasure of Manhattan Isle and Mystery of the Nighttime Monster.

Fievel and Tanya look oldest in Fievel Goes West, and and so information technology makes sense. Fievel saying that he dreamed he moved out westward and became a famous gunslinger could be foreshadowing. The only piece missing in this theory is Bridget existence gone. Yasha still being a baby in all of them is also a bit of a trouble.

Yasha looks her oldest in "Fievel Goes West" so this could still piece of work. You could also say concerning Bridget that her and Tony's relationship was a bit rocky afterward the commencement film, temporarily separate during "Treasure of Manhattan Isle". and they get back together and eventually married later on earlier "Fievel Goes West". This might fit with some other WMG involving Mystery of the Night Monster. Or, she'due south just off-camera with her baby, another WMG covered below.

Warren is a size-changing shape-shifter.

How else tin can he be smaller than the rat who runs the sweatshop but as large as the other cats later on?

It must have something to do with that psychedelic mirror Fievel and Tiger sing "A Duo" in front of that temporarily made them the aforementioned size. That's the magic mirror Warren was using to aid his rat disguise.

Fievel's hat has supernatural backdrop.

Information technology's like the One Ring; it has a mind of its own. At least it's protective of its wearer. It helped Fievel miraculously survive being swept overboard; and, in the cease, Tony found his chapeau considering the hat wanted to be plant.

In Fievel goes Westward, it'southward able to morph into a cowboy hat because of its magical properties.

Co-ordinate to an old DOS game, Fievel's chapeau does have special properties.

Tanya has the phonation of a siren and the power to tame whatever true cat with her voice.

Only equally Fievel has his supernatural lid, Tanya's vocalisation has supernatural properties.

Which would, fittingly, explain its glass-shattering and hypnotic powers. Then basically, she'southward Siryn?

Cat R. Waul was moving in on the Mott Street Maulers' turf in their absence because they weren't there to stop him this time

Waul might have tried his scheme of sending mice West to their doom before simply had run into problem with Warren's gang, who had an invested interest in the mice staying in New York. With Warren and the Mott Street Maulers gone, Waul saw his opportunity to edge in on Warren's erstwhile territory and take his mice away. Perhaps the 2 villains were onetime rivals.

Bridget and Tony are taking a break in their relationship during the 3rd and 4th movies, which take place before the 2nd one.

Mayhap Bridget wanted to go back to Ireland for a fourth dimension and fight for mouse civil rights there, coming back to America later and reuniting with Tony.

Bridget is still there in the tertiary and fourth movies, we just don't see her because she's at habitation with their new baby.

This is why Tony is so desperate to get rich in both movies; he needs a task to feed his family. And aye, this does imply he's swooning over Cholena while still with Bridget. Retrieve, this is a guy who fell completely in beloved with a daughter after seeing her through the corner of his centre while walking by a knothole for two seconds! Non the kind of guy you could trust to be completely faithful, unfortunately.
In the 3rd picture when Tony says that he has responsibilities now and he can't just become wherever he wants whenever he wants and Fievel gives him a knowing "Ohhh". That could be explained by this.
- Actually, he was referring to his new job. Bridget and their baby is in no way alluded to. Hell, Tony about seems to live with Fievel he hangs around him and then much.
That could also explicate why Tony was and then freaked out in the 4th movie after the monster started grabbing everyone, maybe the monster took Bridget and the baby. The cats do say that the new mice are "Italian nutrient" and later on Tony hears them say that he tries to attack the cats without thinking it through.

Information technology should be noted that the starting time pic definitely did have one or two songs cutting from it.
- Plain Jossed by one of the creators, Marker Ross, in the comments of this video. The songs were just made to promote Fievel Goes Westward, and weren't meant for the movies.

Cat R. Waul and Madame Mousey share the aforementioned owner.

They're both owned past a somewhat obese rich woman who likes to smother her pets to the bespeak where her own pets hate her. She's The Faceless in Fievel Goes West, but we run across her face in Mystery of the Night Monster, so they could very well be one and the same. Luckily for Madame Mousey we never see her owner put her through Marshmallow Hell like she does to Waul, but that doesn't mean information technology doesn't happen offscreen.

Nope. Cat R. Waul'south possessor is a plus-sized woman and we do see her face, but briefly. Mousey's owner, on the other paw, is Uncanny Valley.

Treasure of Manhattan Island and Mystery of the Night Monster were All Only a Dream

After the events of Fievel Goes W, Fievel had a dream where he didn't motion out west and he became both a mouse-rights activist for Native American mice and an artist for a newspaper.

If y'all think about it, the third moving-picture show begins with Fievel having recently woken up from a dream, and the fourth movie ends with Fievel falling comatose at the beach. It all being a dream (or maybe two dreams) would explain the inconsistencies of Bridget being missing, and their existence back in New York and the like. Fievel acts rather out of graphic symbol in the fourth movie, being plagued by fear whereas he's brave in the other movies. Perhaps the 4th movie was a nightmare, and the third was merely a weird dream.

Well, that could explain why Tony (Toni?) is voiced by a woman. But where did the baby that appears in the sequel come up from?

Mama and Papa hired a babysitter for Yasha during the second half of the first movie.

Sure the baby disappears for the second half, but would you really want to bring a baby aboard the Giant Mouse of Minsk, so to search for Fievel through the urban center on the back of a true cat, and finally flying on the back of a dove to see the Statue of Liberty?

Since in the AAT universe there's a mouse version of every man, it follows that there'due south a mouse version of you out at that place somewhere.

We all simply have our Weirdness Censor turned up as well high to find them. Your mouse version, right now, is using a tiny laptop and browsing CheesyTropes.org (the mouse version of this site) as we speak.

I'm thinking in that location might be a Steven Mousekewitz, based off of Steven Spielberg, who is the grandson of Fievel Spielberg, the person where Fievel got his name from.

In Futurama, at that place was an Alternate Universe where the Planet Express crew were all dressed as cowboys, and then both the universes for Fievel Goes West and Fievel's American Tails should be this. Also, throw The Treasure of Manhattan Island in there since Fievel claiming he dreamt that lead to a Cleaved Base. And while yous're at it, Mystery of the Night Monster should also be an Alternate Universe since Fievel's eyes are brown instead of bluish in this one.

In that instance, Fievel Goes West and Fievel's American Tails are probably ii carve up but somewhat similar universes, due to the approved errors in the evidence.

Baby Yasha died in the showtime movie, and soon later on Mama and Papa had some other baby also named Yasha who appears in the sequels.

Infant mortality was rampant in those days, its possible the original Yasha died in New York, explaining why she's absent from the 2d half of the first flick. To cope with the grief, Papa and Mama had another infant and gave her the same name, thus explaining why Yasha seems to still exist a babe in Fievel Goes Westward even though Fievel and Tanya accept grown older (and a dissimilar-looking babe at that). This likely gives them more incentive to move west, with bad memories in New York.

Tiger and Miss Kitty are the grandparents of Sawyer from Cats Don't Dance

Sawyer resembles Miss Kitty in some ways, and they're both singers, perchance it'southward the family trade.

Sniffles from Looney Tunes is a descendant of Fievel

At that place WERE no cats in America.

The problem is, they followed the mice there.
- Pretty accurate, since before the Europeans came the only cats in N America really were mount lions and bobcats. European mice probably arrived via stowing abroad on colonial ships before house cats did.

An American Tail is a sort-of sequel to Fiddler on the Roof

At the end of Fiddler on the Roof, the Jewish family is forced to move to America, which is where Fievel comes in.
It's not a sequel, information technology'south an homage. Papa Mousekevitz has the same personality and musical talents as Tevye.

The conductor mouse was originally intended to exist voiced by Mel Blanc

The conductor mouse's "Light-green River" lines have already been suggested as a Shout-Out to Blanc's role on the Jack Benny Show (specifically, to Blanc'south "Train leaving on track 5 for Anaheim, Azuza and Cuc-amonga"). Because almost blithe films take roughly a ii-iii yr production timeline, information technology's possible that the grapheme may accept been designed with Blanc as the intended voice actor; with the lines peradventure written as a tribute later on Mel'southward July 1989 death.

The reason for the DTV sequels

This is only a theory, but possibly when the writers were thinking of "inbetweenquels" every bit I shall refer to the DTV sequels, they made these to evidence that not all mice or dogs are adept people (probably on purpose) and information technology's not but cats that tin can be evil. Just a theory.

The dream Fievel has in the third moving-picture show is of Fievel'due south American Tails, not Fievel Goes West.

This would explain how inconsistent and occasionally bizarre each episode is, and why the testify doesn't follow canon very well. The dreams would be somewhat prophetic of what would later occur in Fievel Goes W, but there are indications in the second movie that Light-green River and perhaps Cat R. Waul were things he already knew a lot about before moving there (Waul briefly appears in his daydream at the start of the movie, for example).

Mice are basically just smaller versions of humans, who coincide with humans

They have their clothes, their countries, their religions, etc. just they're smaller.

The cossack cats had a good reason to take out mice from Russia.

Mice bring diseases. Even though the mice are skillful here, shouldn't we forget that cats were specifically domesticated to impale mice?

The dream that Fievel had in the 3rd movie was him Dreaming of Things to Come and the 3rd and fourth movies were midquels to the second movie.

This is mostly a manner to re-rail the 2nd flick as catechism.

Fievel is a fourth dimension lord.

His lid is his TARDIS.

Fievel drowned on the boat, and the side characters are trying to assistance him go to heaven.

The Italian mouse on the gunkhole sings about how a cat killed his brother Tony, and the Irish gaelic mouse sings about a true cat killing his beloved lady. Fievel meets an Italian mouse named Tony and a female person Irish mouse in New York City. This is because Fievel died on the boat when he tried to go see the fish, and his family unit died soon afterward. His parents were able to become to heaven, only Fievel had to undergo trials to meet his family in sky because he died equally a issue of his own selfishness. Everything that happened upwards until the end, where Fievel is reunited with his family unit was part of the trials and not really real. Tony, Bridget, and Tiger had already gone to heaven considering of their innate goodness, merely helped Fievel along his path to get there. The cats are demons trying to drag Fievel to hell.